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John Gerrard (IRL) born 1974, is an artist whose varied works investigates the emotional possibilities of digital technologies, creating works which question our identities, our relations to each other and toward the physical environment. His sculptures frequently hinge around the new temporal and experiential possibilities to be found in realtime 3D. Most recently Gerrard was Irish Arts Council artist in residence to the Banff Centre for the Arts, Canada, working in realtime spatialised sound. Currently he is Siemens Artist in Residence to the Ars Electronica Futurelab, where he was also the 2003 Pepinere artist in residence. Current and upcoming shows include The Liverpool Biennial, Liverpool, UK; Touch and Temperature, Bitforms Gallery; Some Exhaust, Lehmann Maupin Gallery; and Passage of Mirage, The Chelsea Art Museum (all NYC).
www.johngerrard.net
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Golan Levin is a New-York based artist and composer who develops artifacts and experiences that explore supple new modes of audiovisual expression.His work has focused on the design of systems for the creation and performance of simultaneous image and sound, as part of a more general examination of communications protocols for individual engagement and non-verbal dialogue. Most recently, Levin presented the Dialtones Telesymphony (2001), a concert wholly performed through the choreographed ringing of the audience’s own mobile phones. Levin was granted an Award of Distinction in the Prix Ars Electronica for his Audiovisual Environment Suite (2000) interactive software and its accompanying audiovisual performance, Scribble (2000).
www.flong.com
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Dennis Miller received his Doctorate in Music Composition from Columbia University and is on the Music faculty of Northeastern University in Boston. Miller is also an Associate Editor of Electronic Musician magazine, for which he writes about music software and hardware technologies. His animations have been shown at numerous venues throughout the world.
www.casdn.neu.edu/~dmiller/8.html
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Manfred Mohr started as an action painter and jazz musician, turning to the computer in 1968 to create and develop his algorithmic art. This exploration gradually gave way to a consistent series of work leading up to the present day and involving fractured projections of n-dimensional hypercubes. Mohr’s work has been exhibited widely and is found in many public and private collections. He has received awards from the Biennial in Ljubljana (1973), the Camille Graesser-Preis in Zurich, Switzerland (1990). He won the Golden Nica from Ars Electronica in Linz, Austria (1990) and a Fellowship from the New York Foundation of the Arts (1997).
www.emohr.com
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Josh On is part of the San Francisco based group Futurefarmers, founded by artist Amy Franceschini in 1995. The group works on both commercial and experimental, not-for-profit artworks, and has gained international acclaim for its unique style and design. Equally comfortable in traditional and new media, Futurefarmers has completed distinctive print and electronic assignments for clients including Adobe, Swatch, Hewlett Packard, Levi’s, Autodesk, Nike, LucasFilm, Wired, Frogdesign, NEC and MSNBC. On first joined the group as an artist-in-residence in 1998 from the Royal College of Art in London. Futurefarmers’ artist-in-residence program serves as a laboratory for research and development of new ideas in design, art and architecture. Josh On’s They Rule is currently part of the net art selection of the Whitney Biennale.
www.theyrule.net
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Casey Reas explores abstractions of biological and natural systems through various digital media including software art, digital prints, and reactive electromechanical sculpture. He has lectured and exhibited in Europe, Asia, and the United States and his work has recently been shown at the American Museum of the Moving Image, Ars Electronica, Interaction01 in Ogaki, Museum of Modern Art, and P.S.1. In 2001, Casey received his M.S. degree in Media Arts and Sciences from the MIT Media Laboratory, where he was a member of John Maeda’s Aesthetics and Computation Group (ACG). His research within the ACG focused on the concept and execution of behavioral kinetic sculpture. Casey is currently an associate professor at the newly established Interaction Institute in Ivrea, Italy.
www.groupc.net
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